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The Silent Archives

The end of the Ottoman Empire

At the twilight of the 19th century, the Ottoman Empire—once master of three continents—was barely breathing. Its borders receded like the tide, swept away by wars, revolts, and the ambitions of European powers. Istanbul, once the Sublime Porte, became the stage for a prolonged farewell: palaces emptied, decrees were written in Latinized Turkish, and dreams of a multiethnic empire gave way to nascent nationalisms.

Yet, in the shaded alleyways, the steaming cafes, and the houses with closed shutters, life went on—woven with secrets, unsent letters, and promises whispered in many languages. It was not just an empire that was fading away; it was an entire world, complex and cosmopolitan, that was slipping into the silence of history.

The Silent Archives

a woman looking at the Bosphorus

At the twilight of the 19th century, the Ottoman Empire—once master of three continents—was barely breathing. Its borders receded like the tide, swept away by wars, revolts, and the ambitions of European powers. Istanbul, once the Sublime Porte, became the stage for a prolonged farewell: palaces emptied, decrees were written in Latinized Turkish, and dreams of a multiethnic empire gave way to nascent nationalisms.
Yet, in the shaded alleyways, the steaming cafes, and the houses with closed shutters, life went on—woven with secrets, unsent letters, and promises whispered in many languages. It was not just an empire that was fading away; it was an entire world, complex and cosmopolitan, that was slipping into the silence of history.

The Silent Archives

a woman looking at the Bosphorus

At the twilight of the 19th century, the Ottoman Empire—once master of three continents—was barely breathing. Its borders receded like the tide, swept away by wars, revolts, and the ambitions of European powers. Istanbul, once the Sublime Porte, became the stage for a prolonged farewell: palaces emptied, decrees were written in Latinized Turkish, and dreams of a multiethnic empire gave way to nascent nationalisms.
Yet, in the shaded alleyways, the steaming cafes, and the houses with closed shutters, life went on—woven with secrets, unsent letters, and promises whispered in many languages. It was not just an empire that was fading away; it was an entire world, complex and cosmopolitan, that was slipping into the silence of history.

The Silent Archives

end of ottoman empire

breathing. Its borders receded like the tide, swept away by wars, revolts, and the ambitions of European powers. Istanbul, once the Sublime Porte, became the stage for a prolonged farewell: palaces emptied, decrees were written in Latinized Turkish, and dreams of a multiethnic empire gave way to nascent nationalisms.
Yet, in the shaded alleyways, the steaming cafes, and the houses with closed shutters, life went on—woven with secrets, unsent letters, and promises whispered in many languages. It was not just an empire that was fading away; it was an entire world, complex and cosmopolitan, that was slipping into the silence of history.

The Silent Archives

woman looking at the bosphorus


At the twilight of the 19th century, the Ottoman Empire—once master of three continents—was barely breathing. Its borders receded like the tide, swept away by wars, revolts, and the ambitions of European powers. Istanbul, once the Sublime Porte, became the stage for a prolonged farewell: palaces emptied, decrees were written in Latinized Turkish, and dreams of a multiethnic empire gave way to nascent nationalisms.
Yet, in the shaded alleyways, the steaming cafes, and the houses with closed shutters, life went on—woven with secrets, unsent letters, and promises whispered in many languages. It was not just an empire that was fading away; it was an entire world, complex and cosmopolitan, that was slipping into the silence of history.

Gifts of the Long Nights

A large seat, an amber necklace, a horn, runes traced in the snow

The Vikings are not defined solely by their raids — this is a misconception largely amplified by medieval chroniclers (often frightened monks). Their society was also based on honor, alliances, the spoken word, and above all ritual exchanges — including offerings, gifts, banquets, or even verbal duels (flyting) which could replace war.

The Gifts of the Long Nights

A large seat, an amber necklace, a horn, runes traced in the snow

The Vikings are not defined solely by their raids — this is a misconception largely amplified by medieval chroniclers (often frightened monks). Their society was also based on honor, alliances, the spoken word, and above all ritual exchanges — including offerings, gifts, banquets, or even verbal duels (flyting) which could replace war.

Nephthys tears

Nephthys tears

Nephthys, often relegated to the background, embodies a form of silent loyalty, a protective shadow, a fertile pain. She is not a goddess of vengeance, nor of power, but of transition.

Nephthys's tears

the goddess

Nephthys, often relegated to the background, embodies a form of silent loyalty, a protective shadow, a fertile pain. She is not a goddess of vengeance, nor of power, but of transition.

The Silences of the Mountain

The Elders gathered around the fire

Andean culture is not limited to the music of El Condor Pasa or a plate of quinoa. Ancestral justice, nature spirits, and secret rituals still exist in breathtaking landscapes.

The silences of the mountain

elders around a fire

Andean culture is not limited to the music of El Condor Pasa or a plate of quinoa. Ancestral justice, nature spirits, and secret rituals still exist in breathtaking landscapes.

The Silences of the Mountain

elders around a fire

Andean culture is not limited to the music of El Condor Pasa or a plate of quinoa. Ancestral justice, nature spirits, and secret rituals still exist in breathtaking landscapes.
This story, like the previous ones, is inspired by the worldviews of the Andean highlands, where the earth sees, remembers, and sometimes, responds.

Lucky Me

red-haired woman escaping from catastrophes

Penelope Pringle is a walking disaster with a superpower she doesn't even know she has: she is impossibly, ridiculously lucky.
Can she finally learn to trust herself when the luck runs out? Lucky Me is a sparkling, laugh-out-loud comedy about embracing the beautiful chaos of life.


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book cover for How to create your cult

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a musician